Here’s an in-depth look at the brilliant sound design and the incredible score that created the evocative tone of Blade Runner 2049.Above image via Soundworks Collection.A few of the minds behind the recent sci-fi neo-noir masterpiece, Blade Runner 2049, take us behind-the-scenes in this in-depth look at the creation of some of the sounds and orchestration. The film debuted this year to stellar reviews and maintained the spirit of the original while establishing its own form of masterful filmmaking. With a perfect blend of collaboration and direction, the post-production team created one of the best-sounding movies of the past decade. Let’s take a look at how they pulled it off. Life in the BackgroundImage via Warner Bros.One of the revelatory features of the original film was the diegetic sounds living and breathing in the environment of future Los Angeles. The sounds vary from multi-lingual advertisements to a looming voice detailing the wonders of life off-world. The future will be loud, jumbled, and inescapable in the heart of the crowded, wet metropolis that makes up the world of Blade Runner. This detail was not lost in the sequel. The new crew made sure to capture the same tone and environment, and the director, Denis Villenueve, had a major say in which aspects carried over in his contribution to the franchise. The sounds making up the background in Blade Runner 2049 are just as, if not more, important than the visuals of the film.The editor for Denis’s previous two films, Sicario and Arrival, Joe Walker closed his eyes and just listened to the audio of the film to figure out the pace and style. This precise attention to detail is how good films become great in the edit bay. The care and attention that went into Blade Runner 2049 is a testament to the importance of the relationship between directors, composers, and sound designers during post-production.Creating the SoundscapesImage via Soundworks Collection.In terms of pulling directly from the original film and creating their own soundscapes, the team took one major lesson from the Ridley Scott classic by blurring the lines between sound effects and score. The film’s supervising sound editor, Mark Mangini, discusses what it was like balancing originality while staying true to a new project:I began making very brooding musical textures that would underpin almost every scene. So if you listen in any given scene, even if its a talkie in a room, there are these languid kind of pads and tones that are reminiscent of things that Vangelis had done in the first film that you didn’t know were his score, and they weren’t really score they were his kind of sonic noodlings. So I created these sonic noodlings that were made from musical textures — things like wind chimes and guitars, winds, saxophones. But you wont know them as those sounds when you hear the film. But you’ll get this sense that there’s a brooding tone that creates an atmosphere, a mood . . . and you don’t know what it is, but it fills the scene with a kind of feeling.This simplicity in instrumentation and methodology came directly from Denis. Perhaps the director’s greatest contribution to the post-production process of the film was his input for how Blade Runner 2049 would feel and sound. Luckily for all of us who have seen the film, the minimal approach was the right choice. If there are traditional science fiction sounds, like your bleeps and your blorps, Denis looks away. This simple-yet-profound take on telling stories in a different way is what sets Denis apart from the other directors working today.Recording the SoundsImage via Soundworks Collection. To create the massive soundscape, the sound editors curated a massive library of 2,600 sound elements for the film. Mangini went full-blown DIY, crafting some of the most simple, seemingly obvious sounds and turning them into something special.To create the sounds for the car that K (Ryan Gosling’s character) drives, Mangini put a subwoofer in his wife’s car and let it rattle throughout the rough, weathered audio that makes the vehicles in Blade Runner feel so lived-in. The ingenuity didn’t stop there. In order to accurately capture the rain for the film, Mangini crafted his own recording device that avoided unwanted rain splatters on the microphone.I wanted to be in the middle of rain so I could capture an immersive recording of seven channels of microphones. So I built a custom rig that would protect the microphones in about a 1 meter square of absorptive material and separation material so you wouldn’t hear the splatter on top of the microphone. So I captured an extraordinary array of heavy deluges and little trickles and drips in seven-channel discrete. With a Holophone H1, I ended up building a rig of my own with Schoeps CCM microphones to capture that.Image via Soundworks Collection.This type of thinking is what wins people jobs — and Oscars — but the creativity didn’t stop there. To record the sound of the new pistols that our hero would be using, the team was not particularly fond of the sound from the original. So instead they decided to record a .50-caliber sniper rifle and combine the sound with an EDM bass drop to capture the blast they were looking for. If you’ve seen the film, you know how loud and intense the blasts are. These loud, staggering sounds are almost as impressive as the beautiful and haunting score that supports the entire film.Composing the ScoreImage via Soundworks Collection.Crafting the score of the new film was one of the most difficult elements of the original film to adapt for this go-around. The original soundtrack, composed by Vangelis, featured a heavy synth, futuristic, science fiction-tone that would be easy to replicate today. However, the composers for Blade Runner 2049 knew that they had to create something completely original — while honoring Vangelis’s score. Like the original, the team used the CS-80 synthesizer, which is half-analog, half-electronic. This allowed them to create a mesmerizing score that could stand out on its own.(If you’re interested in creating your own sci-fi neo-noir low-budget masterpiece, check out our curated, synth-heavy Blade Runner-inspired playlist here.)Denis’s film is a masterclass in everything from storytelling to cinematography to editing and, especially, to sound design. His work speaks for itself, ranking among the greats, and we’re only at the beginning of his career. One can’t help but feel the best is yet to come from this director, and if he keeps surrounding himself with inspiring, creative, and boundary-pushing individuals, we’re all in good hands.(Final note, here’s one Hans Zimmer playing the CS-80 for what might be one my favorite moments in a video ever.)Image via Soundworks Collection.Looking for more on Blade Runner 2049? Check out these articles.How Roger Deakins Shot and Lit Blade Runner 2049How To Recreate the Special Effects From Blade Runner 2049Create Blade Runner-Inspired Eyes in After Effects
The charm of the Maotha lake situated outside the historic Amber Fort, near here, will be restored with its replenishment with water supplied from Banas river’s Bisalpur dam. The lake, which collects rain water flowing down from the nearby hills, has at present very little water after it remained dried-up for several months.The picturesque lake, which has the “Kesar Kyari” garden in its middle, was the main source of water for the Amber Palace and common people before the erstwhile royal capital was shifted to the newly-built Jaipur city in 18th century.The Water Resources Department’s plan to fill up the lake artificially will improve the ground water recharge, help in the supply of drinking water to the residents of Amber town and provide water to wild animals in the region. This is the second such exercise being undertaken after 2012 to revive traditional water sources and restore environmental balance.Public Health Engineering Department’s Principal Secretary Sandeep Verma said here on Tuesday that the Bisalpur dam in Tonk district, which was full to the brim after an increase in water inflow from its catchment areas during monsoon, was the “natural choice” as source of water for Maotha lake. The dam is currently supplying water to Jaipur, Tonk and Ajmer towns.Mr. Verma said the Maotha lake’s capacity was 300 million litres, which was equivalent to one day’s water supply from Bisalpur to Jaipur. “The water body’s replenishment will increase the water table of local sources by about 5 metres, which will give a major relief to the town’s residents,” he said.‘No adverse impact’ Mr. Verma said there was no possibility of adverse impact by the supply of water to Maotha lake on the availability of drinking water in Jaipur and other towns, for which the Bisalpur dam had emerged as a lifeline during the last decade.
Defending champion Novak Djokovic was scheduled to put up a highly-anticipated semi-final clash with Rafael Nadal as they were drawn into the bottom half in men’ singles of the 2017 French Open.Five Chinese girls faced mixed drawing fate here on Friday, 32nd-seeded Zhang Shuai possibly got the chance of beating her previous personal best in Roland Garros, while Wang Qiang and Zheng Saisai had an uphill challenge in the first round, reports Xinhua news agency.Djokovic, who swept all Grand Slam tournament trophies with success last year, will meet Spanish Marcel Granollers in his opening title defence match. The Serbian suffered an early second-round exit in Australian Open early this year, while improving his performance into the clay season, from quarterfinal in Monte Carlo, semifinal in Madrid and final in Rome.Nadal will kick off his campaign against local favorite Benoit Paire, and is likely to face fifth-seeded Milos Raonic in the quarter-final if everything goes well in his way.Djokovic and Nadal had their last duel in the semi-finals in Madrid, where Nadal won in two sets and continued his in-form performance to take away the title. The “King of Clay” also tasted victories in Monte Carlo and Barcelona, while snapping his winning streak in front of Austrian promising star Dominic Thiem in Rome.For Djokovic, Nadal still remained the favourite in clinching his 10th title in Roland Garros.”I definitely see him as probably No. 1 favourite for this title,” commented the titleholder.World number one Andy Murray, positioned in the top half, expected a real challenge in as early as the third round, where he may face Argentine Juan Martin Del Potro.advertisementOn the way to a possible semi-final with the 2015 champion Stan Wawrinka, the top seed could expect number 13 seed Tomas Berdych, German youngster Alexander Zverev or Japanese Kei Nishikori ahead.In anticipation of breaking her previous record of second round in Roland Garros, Chinese top-ranked girl Zhang Shuai will face Donna Vekic of Croatia in the first round, and next meet the winner between Viktorija Golubic and Aliaksandra Sasnovich, with number eight seed Svetlana Kuznetsova looming ahead in the third round.Peng Shuai, who was still involved in Strasbourg Open as a warm-up for the French Open, will have a first-round clash with Sorana Cirstea of Romania, with Tatjana Maria of Germany as Duan Yingying’s first-round opponent.However, the draw went pretty against Wang Qiang and Zheng Saisai, as the former will meet number 10 seed Venus Williams and the latter will face second-seeded Karolina Pliskova.Reigning champion Garbine Muguruza will open her campaign in women’s singles against the 2011 finalist Francesca Schiavone.The 2017 French Open, with a total prize of 35,981,500 euros, will run from May 28 until June 11.